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The works in my ballet series are an unusual mix of elegance and exaggeration. My painting process unfolded as follows: I began with contours. I went with the flow and mimicked the refinement of my model’s gestures with delicate, harmonious lines of the brush. I then dramatized the exquisite subtleties of her hands and facial expressions with flashier, more powerful strokes. Finally, I went for total contrast, counterpointing all melodic movements with thick, ferocious splatters and splashes.
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